Monday, February 20, 2017

Are Mollywood Superstars Mammooty and Mohanlal Misogynistic?

Following the attack on the leading Malayalam actress by a gang in Kochi  led by her former car driver, the Mollywood film industry have unitedly condemned the attack and expressed support and solidarity for the actor. Leading stars Mammooty, Mohanlal, Manju Warrier described the incident as unfortunate and said the culprits should be brought before law.

Meanwhile, my friend G Pramod Kumar, a senior journalist shared an article he wrote sometime back in Huffington Post criticising the misogynistic roles portrayed by our superstars Mammooty and Mohanal.  He especially refers to Kerala State Women’s Commission serving notice to Mammooty for his insulting dialogues in the movie Kasaba.  He notes that many of the roles done by Mohanlal and Mammooty denigrated women and hence it was sheer hypocrisy now that they were crying over the assault on the actress.

Mammooty in Kasaba
The Artist and the Individual
Superstars have dual identities before us- one is the roles they play on the screen and the other is their real personality. Most of us have only access to the screen identity and not to their real identity except through interviews in TV, newspapers and magazines when they reveal their views on life, family etc.

There is no reason to believe that superstar Mammooty or Mohanlal share the same attitudes towards women as the characters they depict on screen. In public life, they have been seen to behave responsibly. We shouldn’t confuse their screen identity with their real identity.

The role dialogues, attitudes of a character in a story are all created by film makers to appeal to the audience and also with an eye on the box office. No film is made to make it a loss for the producer.  If the superstar plays the role of a goonda, or a rapist or a corrupt politician he needs to do justice to the role. In such cases, the actors become successful when people hate the character in the movie.
All the films that Mammooty acted in misogynistic ways were cleared by the Censor Board who are the gate keepers in the film industry.  They are bound to examine the moral, ethical and social implications of a movie before clearing them for viewing by the public. Now films display statutory warning messages on screen whenever a scene showing smoking or drinking is displayed. This is to tell the audience that the film is not being produced to promote smoking or alcohol use.

The commercial side of cinema and attitude of society
The cinema has a commercial element and an artistic element to it. Considering the huge cost in involved in its production most often the commercial weighs more than the ethical, moral or artistic dimensions. However, that doesn’t deter Mammooty or Mohanlal fans to keep rushing every time a new movie of theirs is released.

Secondly, we must not forget the fact that women from different walks of life are harassed in Kerala not necessarily physically but by words, gestures, looks and unwanted gossip to malign. Mollyood films partly are a reflection of this attitude and there is nothing alarming about it.

First and foremost we must stop taking double standards in society—what is applicable to men is not so for women. Men and women are not equal but unique in their own ways-each having their strengths and weaknesses. Once we realise this much of the problems that we see around will disappear and perhaps the dream of women travelling safely anywhere at any time can become a reality. Where this should this learning begin- at home, at school, at workplace….?

Tailpiece
There is lot of talk about revealing the identity of the leading actress who was assaulted in Kochi. However, what was quite painful was the way Times of India reported the incident as rape. How could they sit in judgement on the issue just because police had registered a case against the culprits quoting sections of the law which is against rape. Ultimately, the choice of news, articles in newspapers, news, visuals on television and themes for film are guided by popular appeal and commercial interests. Sometimes, sensationalism can go to extremes flouting all media ethics. After all they also need to sell and be ahead of their competition.





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